More Remainder

Tom McCarthy talks to Ed Champion about Remainder and repetition in a rich, two part makes-you-feel-stupid-but-inspired-too interview. I was enacting my own repetitive behaviour as I listened: cycling the same 26-mile route which includes what the great Miguel Indurain called "the côte de Ditchling Beacon“, a fourth category climb on the 1994 Tour de France (beat that cycling litbloggers!).

Just after reaching the summit, Tom spoke of how trauma, noted by both Freud and anti-Freudian neuroscientists, "instils a propensity to repeat, to return to the traumatic scene". In my case, however, the obsessive following of the same route seeks merely to erase uniqueness; I want the same non-experience each time. If anything happens along the way, I change the route. But isn't that what the guy in Remainder is doing too? The question reminds me of an aspect of the novel the interview mentions only once and very briefly yet has always bothered me. How does the trauma from the sky at the beginning of the book relate to its end in the aircraft? It's another way of asking how artistic creation relates to its cause. To me, the ending hints of the traumatic remainder in art's unworldliness.