"How can you write about life if you haven't even lived it?" asks Joseph Ridgwell.
Rather, how can you begin to write if life hasn't failed?
Writing is not about life. Writing is about the experience of distance from life, the stuff of anecdotes. In that way, writing is life.
a gap in the universe
Monday, September 03, 2007
Subscribe to:
Post Comments (Atom)
Blogroll etc.
- This Space Twitter
- Britlitblogs
- ReadySteadyBook blog
- Spurious
- wood s lot
- John Self's Asylum
- The Existence Machine
- A Piece of Monologue
- The Reading Experience
- Lee Rourke's SPONGE!
- The Quarterly Conversation
- Blographia Literaria
- Todd Colby's Glee Farm
- Three Percent
- Tales from the Reading Room
- London Review of Books Blog
- KCRW Bookworm
- Book Depository: Editor's Corner
- Lenin's Tomb
- Medialens
Blogroll continued
- red thread(s)
- The Bibliophilic Blogger
- Notre Dame Philosophical Reviews
- Infinite thought
- Why Not Burn Books?
- Life Unfurnished
- Nomadics
- ABC of Reading
- Named Tomorrow
- A Piece of Monologue
- Poet-in-Residence
- The Literary Saloon
- Green Integer blog
- Alma Books Bloggerel
- Bildverlust
- Letters from a Librarian
- TLS: Peter Stothard
- Nigel Beale
- Golden Rule Jones
- Jewish Quarterly
- Mobylives
- Barbaric Document
- The Chagall Position
- Conversational Reading
- No Answers
- A journey round my skull
- Vertigo: Collecting WG Sebald
Favoured author sites
Blog Archive
- July 2009 (4)
- June 2009 (4)
- May 2009 (8)
- April 2009 (8)
- March 2009 (12)
- February 2009 (11)
- January 2009 (7)
- December 2008 (7)
- November 2008 (7)
- October 2008 (17)
- September 2008 (7)
- August 2008 (8)
- July 2008 (7)
- June 2008 (7)
- May 2008 (7)
- April 2008 (5)
- March 2008 (8)
- February 2008 (2)
- January 2008 (10)
- December 2007 (26)
- November 2007 (28)
- October 2007 (16)
- September 2007 (24)
- August 2007 (15)
- July 2007 (17)
- June 2007 (11)
- May 2007 (23)
- April 2007 (11)
- March 2007 (24)
- February 2007 (27)
- January 2007 (21)
- December 2006 (9)
- November 2006 (24)
- October 2006 (21)
- September 2006 (19)
- August 2006 (15)
- July 2006 (33)
- June 2006 (17)
- May 2006 (24)
- April 2006 (17)
- March 2006 (18)
- February 2006 (15)
- January 2006 (8)
- December 2005 (8)
- November 2005 (10)
- October 2005 (7)
- September 2005 (14)
- August 2005 (14)
- July 2005 (8)
- June 2005 (15)
- May 2005 (11)
- April 2005 (13)
- March 2005 (9)
- February 2005 (7)
- January 2005 (16)
- December 2004 (2)
- November 2004 (4)
- October 2004 (6)
- September 2004 (2)

4 comments:
Though the piece gets off to a bad start for me when he includes Knut Hamsun in saying
"The later work of all these writers is undeniably superior as it is more rounded and contains greater emotional depth."
I think Hamsun's work, Mysteries, from his earlier part of his career is a greater work of art than his later works, fine as they are, like The Wayfarers & Growth of the Soil. These are more rounded works but lack the spiritual edginess of a work like Mysteries. Nietzsche wrote that he wised to read only books written in blood, & for me there is more of Hamsun's blood in Mysteries & other early works...which is perhaps in favour of Ridgewell's argument though without his having noticed...Hamsun was perhaps more dangerously alive in this early period rather than in the later "more rounded" & perhaps more personally complacent period.
Sopt on!
Although I think Mr Ridgwell's piece works if you read it as an attack on the current state of contemporary publishing.
Lee Rourke.
The red badge of courage is a hunk of useless shit
joe ridgwell
Although I have to say Hunger is Hamsun's best book by far.
Growth of the soil, tedium personified
Hunger, Mysteries, Victoria, and Pan, all written before the turn of the century, are incontrovertibly Hamsun's best works. But he was thirty-one when he published Hunger, and older still when the others were written.
Post a Comment